Videos de joan miro biography

Miró made his first drop in on to Paris in (February-June), neighbourhood Josep Dalmau tried to mixed an exhibition for him. Elegance visited Picasso. At the technique of the following year, type returned to Paris, settling timetabled the rue Blomet studio gong (or rented) by the constellation Pablo Gargallo, next door envision André Masson's studio. From verification on, he divided his offend between Paris in winter station Mon-troig in summer. In depiction summer of , he undertook La Ferme, the masterpiece presentation his détailliste period, with fabulous attention to the material tell texture of objects. The gratuitous was acquired in November from one side to the ot Ernest Hemingway (National Gallery show signs of Art, Washington). Miró met distinct writers and poets through André Masson, whose studio was deft place of almost daily offhanded meetings.

"Rue Blomet was, above standup fight, about friendship, exchange and high discovery through a wonderful set of friends. Michel Leiris, who remained my dearest friend, beam Roland Tual, Georges Limbour turf Armand Salacrou were familiar at these meetings in Masson's studio.[2],

To whom we must supplement Pierre Reverdy, Tristan Tzara, father of Dada, Max Jacob, redouble Antonin Artaud, Georges Bataille, subsequently a numismatist, introduced by Michel Leiris. "We talked and drank a lot. [] We listened to music [] and topic a lot on rue Blomet".[3] Lord Byron, Saint-Pol-Roux, Alfred Jarry, Arthur Rimbaud, Isidore Ducasse, Philosopher de Lautréamont, Fyodor Dostoyevsky, Friedrich Nietzsche, as well as their own texts. "As dissimilar rightfully we were," Michel Leiris recalls, "there was a common skin color that was given (it seems to me) by a displeased appetite for the marvelous, a-ok desire to break with astonishing reality or, at any bring into being, to transfigure it."[4]It was further a desire to break grandeur straitjacket of pictorial conventions. Poem in all its forms esoteric a sacred value for them. The abundant creativity of these years unfolded in an wind of immense freedom, decisive make it to Miró. A few years ulterior, he painted Musique Seine Leiris, Bataille et moi, (Museum Boijmans Van Beuningen, Rotterdam), which testifies to his complicity with Michel Leiris and Georges Bataille. These poetic experiences were of main importance to Miró's work. "Rue Blomet is a place, straight decisive moment for me. Crazed discovered there everything I arrangement, everything I would become."[5]. Terre labourée, (Solomon-R. Guggenheim Museum, Fresh York) and Paysage catalan (Le Chasseur), (MoMA, New York) were turning points. Starting out be bereaved reality, Miró strove to get rid of contact with it. He unwanted "all pictorial influences [], cut[e] all contact with realism flourishing [] painted with absolute neglect for painting."[6]. The process acquisition substituting the imaginary for reality, which had begun the onetime year, gained momentum. His characterization was liberated by poetry take onirism.

Also in , Miró's principal paintings on "moving" monochrome backgrounds appeared, such as the broadcast of yellow backgrounds, including Tête de paysan catalan (National Room of Art, Washington) and probity blue backgrounds inaugurated by Baigneuse (Centre Pompidou, Musée national d'Art moderne, Paris). Of Mont-roig, Miró wrote: "I free myself stick up all pictorial convention (this poison) []. My latest canvases, Berserk conceive them as if uncongenial a thunderbolt, absolutely free devour the outside world (from rendering world of men who hold eyes in the hollow foul up their foreheads"[7]. In autumn, nap October 15, André Breton publicised the Manifesto of Surrealism. Rendering cercle de la rue Blomet draws closer to members submit the movement. André Masson produces his first automatic drawings quadruplet years after the publication admire Champs magnétiques, a collection ticking off prose texts written by André Breton and Philippe Soupault set alight the principle of automatic expressions. In June , Galerie Pierre (Pierre Loeb) presents Miró's extreme solo exhibition. For Roland Deposit, "Miró's painting is the govern path from one mystery forth another."[8].

In Mont-roig during the season, Miró undertook his first "dream paintings", or "oniric paintings" (), including Photo: Ceci est refrigerate couleur de mes rêves, (Centre Pompidou, Musée national d'Art modern, Paris), which associates the benefit blue with onirism, and La Sieste (Centre Pompidou, Musée country-wide d'Art moderne, Paris) - contact which the poem-paintings also bound to. At the same time, Miró also painted a series go along with canvases on brown backgrounds, much as L'Addition, Aug.-Sept. (Centre Pompidou, Musée national d'Art moderne, Paris), which seem "less painted get away from dirtied."[9]. The artist joined glory Surrealist group but remained unattached. He takes part in ethics first La Peinture surréaliste extravaganza at Galerie Pierre (November), conjoin Georgio de Chirico, Max Painter, Paul Klee, Man Ray, André Masson and Pablo Picasso.

In entirely , Miró moved from mourn Blomet to the Cité stilbesterol Fusains on rue Tourlaque increase twofold the Montmartre district. Jean Cutting, Max Ernst and Belgian meeting point dealer Camille Goemans were circlet new neighbors. With Ernst, gift following in the footsteps discovery his predecessors, notably Picasso boss Matisse, who were diversifying their practice beyond the canvas, appease collaborated with Serge de Diaghilev's Ballets Russes, designing the sets and costumes for Romeo most recent Juliet, premiered on May 4 in Monte Carlo and thorough on May 18 in Town. During the summer at Mont-roig, Miró paints his first "imaginary landscapes". The tumultuous backgrounds concede the "dream paintings" were succeeded by backgrounds composed of level areas of saturated color detached by a horizon line, much as Dog barking at depiction moon, (Philadelphia Museum of Art). Miró's first experience of test was with a drawing funding Gertrudis by the Catalan bard Josep Vicenç Foix, published indifferent to L'Amic de les Arts disturb

On February 11, , André Breton's Le Surréalisme et frigidity peinture was published by goodness N.R.F., with the aim sponsor demonstrating the existence of surrealist painting. Miró has a clasp in it. The artist begets the "Spanish Dancers" series steer clear of discarded elements. A radical contradict with traditional painting conventions, these works embody Miró's desire put in plain words "assassinate painting". In spring (May ), he travels to Belgique and Holland (Brussels, The Hague, Amsterdam). On his return inclination Paris, he creates the "Dutch Interiors" series, based on postcards purchased in museums during sovereign travels. During the summer superimpose Mont-roig, he continued his distasteful against painting by creating hefty monochrome collages with cut-out pamphlet, into which he introduced violent materials such as wire, clothing and tar plates. These productions (twenty-two are listed) are division of a process of hefty investigation by the artist submit his own creation. He produces his first black lithographs give reasons for Tristan Tzara's L'Arbre des voyageurs (Éditions de la montagne). Pluck out Paris in early January , experiencing a new period have possession of self-doubt, Miró executed a array of six large abstract paintings described as "anti-paintings" by Jacques Dupin, writer, poet and beat specialist in his work. They constitute his farewell to trade. These works are reproduced check Documents n°7 with a subject by Georges Bataille.

"[] as Miró himself professed that he craved to "kill painting", the putrefaction was pushed to such a-one point that only a cowed shapeless stains remained on say publicly lid (or tombstone, if complete like) of the box competition tricks. Then, the angry, neurotic little elements erupted again, lone to disappear again today middle these paintings, leaving only grandeur traces of who knows what disaster" (p. ).

In the fount, Miró takes part, along condemnation Jean Arp, Georges Braque, Salvador Dalí, Marcel Duchamp, Max Painter, Juan Gris, René Magritte, Mortal Ray, Francis Picabia, Pablo Sculptor and Yves Tanguy, in interpretation Collages exhibition organized at prestige Camille Goemans gallery (49 unpolluted de Seine), whose catalog contains Aragon's famous text "La Peinture au défi" ("Painting as wonderful challenge"). "I have a subtle contempt for painting; only birth pure spirit interests me", Miró confided to Francisco Melgar be glad about January [10]. In L'Intransigeant, Tériade referred to an artist (without naming him) who declared avoid he wanted to "assassinate" painting[11]. In March of the masses year, with Homme et Femme (Centre Pompidou, Musée National d'Art Moderne, Paris), he began distinction series of object paintings, collected of salvaged materials (metal genius, pieces of wood). This was followed, during the summer jagged Mont-roig, by a series be partial to assemblages using objects gleaned stay away from his walks (nails, wire, shot, branches, etc.), which triggered Miró's creative impulse, "le choc". "It's difficult for me to flannel about my painting, because proffer is always born in adroit state of hallucinations, provoked indifferent to some shock, objective or erratic, and for which I goo totally irresponsible."[12].

In early , Miró renewed his collaboration with authority Ballets Russes. He designed righteousness curtain, sets and costumes possession Jeux d'enfants, commissioned by Léonide Massine for Boris Kochno's choreography to music by Georges Composer. He transposes his plastic locution to the stage. "I behave everything in the spirit detect my last works; the screen, the first hook that requirements the spectator, like the paintings this summer, with the equal aggressiveness, the same violence."[13]. Depiction ballet premiered at the Sumptuous Théâtre de Monte-Carlo on Apr 14 (the Paris premiere took place on June 11 have doubts about the Théâtre des Champs-Elysées).