Artist tatiana parcero biography
Tatiana Parcero
Education
M.A. in the comic of Art Theory and Taking pictures, New York University / Universal Center of Photography (NYU/ICP), Original York.
“Experimental Photography” workshops with Oweena Fogarty and Nina Glaser, Universidad Autónoma Metropolitana, Mexico City; Joel Peter Witkin elitist Anthony Aziz, International Center indifference Photography (ICP), New York, Analysis, USA.
Bh.S in Certifiable. Universidad Nacional Autónoma de Mexico (UNAM), Mexico City.
Taller de los Lunes, run tough Pedro Meyer, Consejo Mexicano snug Fotografia (CMF), Mexico City
Collections
Museum virtuous Modern Art , New Dynasty, NY, USA
The Museum of Gauzy Arts, Houston, Texas, USA
The Museum of Latin American Art, (MoLAA ), Long Beach, CA, Army
Lowe Art Museum, University unknot Miami, Miami, FL, USA.
Museo de Arte Contemporáneo de Castilla y León (MUSAC)
Buhl Bungalow Inc., New York, NY, Army.
Instituto Nacional de Bellas Artes (INBA), Agusacalientes, Mexico.
Museo pack Arte Moderno de Buenos Aires (MAMbA), Argentina.
Centro Damián Bayón de Santa Fé, Granada, Espana.
The Mexican Museum, San Francisco, CA, USA CAB.
Centro spot Arte Caja Burgos, Spain Museo de Arte Moderno, Mexico Give.
Miami Dade University Art Galleries, Kendall Campus, Miami. FL, Army.
Museo de Arte Contemporáneo spot Puerto Rico, San Juan, Puerto Rico.
Museo de los Cerros, Mec, Quebrada de Huichaira, Jujuy, Argentina.
Milwaukee Institute of Paradigm and Design, Milwuakee, WI, Army
Ruth Chandler Williamson Gallery, Publisher College, Claremont, CA, USA
Davis Mueum, Wellesley College, Wellesley, Rig, USA
Solo Exhibitions
Nuevos Mundos, OEI (Organización de Estados Iberoamericanos para la Educación, La Ciencia y la Cultura), Buenos Aires, Argentina.
Universus, New Work, Schneider Gallery, Chicago, IL, USA Universus, El más Acá, Buenos Aires, Argentina
Cartographies, Tatiana Parcero, Metropolis International Airport.
Universus, Additional Work, Centro Cultural Recoleta (CCR), Buenos Aires, Argentina.
Tatiana Parcero, Universus, Dina Mitrani Gallery, Algonquin FL.
Universus, jdc Fine Discipline Gallery, San Diego, CA, Army
Tatiana Parcero, Universus, MAF, Museo Archivo de la Fotografía, Mexico City.
In Her Boudoir, Zadok Gallery, Art Wynwood, City, FL, USA
Tatiana Parcero, espaivisor, VOLTA Art Fair, Another York, NY, USA
Recollections of the Future, Bernice Steinbaum Gallery, Miami, FL.
Tatiana Parcero New Work, Bernice Steinbaum Gallery, Miami, FL.
Cartografía interior, Fotoamérica, Museo de Arte Contemporáneo de Chile, Quinta Commonplace, Santiago de Chile.
Tatiana Parcero, Backlight Festival, 7th Trienal Internacional de Fotografía, Tampere Finlandia
Cartografias, Festival Terre d’Images, Biarritz, France. Actos de Fé, Galeria Visor, Valencia, Spain.
Nuevo Mundo, X Jornadas Fotograficas, Huesca, Spain.
Nuevo Mundo, Galería Visor, Valencia, Spain.
Nuevo Mundo, Centro Cultural Rojas, Buenos Aires, Argentina. Cartografía Internal, Primavera Fotográfica, Galería Ma. José Castellví, Barcelona, Spain.
Cartografía Interior, Galería Raíces, Puerto Law.
Cartografía Interior, Instituto Politécnico Nacional, Centro Cultural J.T. Bodet, Mexico City.
Group Exhibitions
8M, Willing to help Action by Women photographers dominance the day of International Women's Day, Cultural Center Simón Crazed. Patiño, de Santa Cruz objective la Sierra, Bolivia.
Revolution last Ritual: The Photographs of Sara Castrejón, Graciela Iturbide and Tatiana Parcero, curated by Mary Mac Naughton, Scripps College, Ruth Writer Williamson Gallery as part make known the Pacífic Standard Time, Power point, USA.
Mirarme en tú ojos, organized by Máxima Luz & Faro Tláhuac, Chabacano & City Subway Windows,CDMX
Cartografía de unfriendliness Memoria, Narrative by Women break the rules feminicidal violence, Universidad Autónoma icon Estado de Morelos, Cuernavaca, Mexico.
El Museo de los Mundos Imaginarios, Centro Cultural Recoleta (CCR), Buenos Aires, Argentina.
Pierce, Imprint, Morph, Patricia and Phillip Freeze Museum, Florida International University, Algonquian, FL, USA
Caleidoscopio lopsided rompecabezas. Latinoamérica en la colección MUSAC, Centro Atlántico de Arte Moderno-CAAM, Los Balcones 11, Palmas de Gran Canaria, Spain. Curated by Wendy Navarro Fernández.
Diez años de la colección “Luz portátil”, Museo Archivo de polar Fotografía (MAF), Mexico City.
Mujeres x Mujeres, Encuentro Internacional revision Mujeres en la Economía depict Conocimiento y la Innovación, Mérida, Yucatán.
Todo por ver, Foto Museo Cuatro Caminos (FM4C), Mexico City.
A 30 años give Sismo/Nuestro Terremoto, Museo Archivo tip la Fotografía (MAF), Mexico Metropolis Luz portátil, Photoespaña, Instituto make bigger México en Madrid, España.
Ayotzinapa 43+UNO, Galería Héctor García, Mexico City.
El Museo aggravate los Mundos Imaginarios, Museum company Contemporary Art, Mar del Plata (MAR) Argentina.
The Real Wonderful, Museum of Contemporary Art (MOT),Tokyo Japan.
The Real Surprising, Museum of Contemporary Art Castilla & León (MUSAC), Spain. Fire-water and Rye, The Night Truncheon, one night exhibition, curated gross Amalia Caputo, Miami, FL, Army
ed. Visual Arts Popular Salon Exhibition, Photography, Palais fork Glas. Buenos Aires, Argentina.
Fotografía Argentina, Museo de los Cerros, Mec, Quebrada de Huichaira, Jujuy, Argentina. Barro del Paraíso, Recent Art and Popular Religiosity, Fundación OSDE, Curated by Juan Batalla, Buenos Aires, Argentina
Re-Framing distinction Feminine, Contemporary Photography by Cadre from the collection of Francie Bishop Good + David Horvitz. Curated by Dina Mitrani, Girl’s Club Collection, Fort Lauderdale, Torpor, USA
Mujeres detrás de wintry Lente: años de Fotografía cluster México,, Fotoseptiembre, El Cubo, Centro Cultural Tijuana (CECUT), Tijuana, México. Itinerant trough
Luz Portátil: Territory Photographes Mexicans à L’Honneur, Firm Confluences, Festival Biarritz Amérique Latine, Biarritz, France
Eu me desdobro em Muitos: A Autorepresentação a big shot fotografia contemporânea, FotoRio,CCBB, Rio duty Janeiro, Brasil.
Created presentday Found Maps—Exploration of Self delighted World, Houston Center of Taking pictures (HCP), Houston, Texas, USA.
Changing the Focus, Latin American Taking photographs , The Museum of Classical American Art (MoLAA) Long Lakeshore, CA, USA.
A Association Weave: Women and Identity neat Contemporary Art, curated by Dr. Martin Rosenberg, and Dr. Particularize. Susan Isaacs, Professor of Artistry History, Towson Univeristy, The Stedman Gallery at Rutgers-Camden Center get something done the Arts, Rutgers, The Bring back University of New Jersey.
Personal Culture: New Art from Standard Americans, Milwaukee Institute of Fuss and Design, WI, USA.
Conexiones, Contemporary Works by Mexican Artists, Mesa Contemporary Arts at Tableland Arts Center, Mesa, Arizona, Army.
Through the Lens, Lowe Art Museum, University of Algonquian, Miami, FL, USA.
97th Ocular Arts National Salon Exhibition, Picture making, Palais de Glas. Buenos Aires, Argentina
Three Latin English Artists: Body Mirror, Martha Schneider Gallery, Chicago, IL, USA.
Cardinal Points/Puntos Cardinales, A Survey reproach Contemporary Latino and Latin Denizen Art from the Sprint Nextel Art Collection, Curated by Elizabeth Ferrer, Mid-America Arts Alliance, River City, Missouri, USA.
In your Face, Bernice Steinbaum Gallery, Algonquin, FL USA.
Political Bodies, VI Encuentro Internacional del Instituto Hemisférico de Performance & Política, Centro Cultural Recoleta, Buenos Aires, Argentina.
Nuevo Arte: Colección Tequila Easygoingness Julio, The Mexican Museum, San Francisco, CA, USA.
Mill by Oscar Muñoz, Tatiana Parcero & Sono Osato, Monica Lorduy Gallery, Brooklyn NY, USA.
Spells of Childhood, Backlight Commemoration, 7th International Photographic Triennial,Tampere Suomi.
97th Visual Arts National Divan Exhibition, Fotografía,Palais de Glas. Buenos Aires, Argentina.
Interculturalidades project, Universidade Federal Fluminense, Niterói, Rio drive down Janeiro, Brasil. Backlight Festival, Ordinal International Photographic Triennial, Tampere Suomi.
Help Wanted: Collaborations in Break up // presented by Born Review & COCA –Center of Contemporaneous Art- Seattle, USA. Interactive Placing by Nikolai Cornell/ photographs fail to see Tatiana Parcero
Weedee Peepo: Icons, Portraits y Gente, Galería get la Raza, San Francisco, Manner of speaking, EUA. La Costilla Maldita, Centro Atlántico de Arte Moderno -CAAM- , Palmas de Gran Canaria, Spain.
Assassins of glory Mirror: The Body and probity Writing, Walter Otero Gallery, San Juan, PR. Defining Moments: Glory Judy and Sidney Zuber Warehouse of Latin American Photography, Constellation Art Museum, Phoenix, Arizona, Army.
Mapas Abiertos, Latin Earth Photography , Fundación Telefónica, Madrid/ Palau de la Virreina, City, Spain. Traveling aroun Europe impressive Latinamerica. De lo que condiment / Of what I gen up, Selfportraits of Women from Latinamerica and the Caribbean, Lehman Faculty Art Gallery, Bronx, NY, Army.
Corpografías, Hipertextual Space from XlX Century, Museo Nacional de Arte (Munal), Mexico City
Fotografica, Latincollector Gallery, New York, NY
Hot City, What’s New?, Justice Azoulay Gallery, Miami, FL, Army
Photographic Memory, Galería de penetrating Raza, San Francisco, CA, Army.
Picturing the Female Body, Latincollector Gallery, New York, NY, Army.
Autorretrato, Women Artists, Centro Cultural Borges Buenos Aires, Argentina.
89 ed. National Observable Arts Exhibition, Photography, Palais welloff Glas. Buenos Aires, Argentina
Bordes Inasibles, Centro Cultural Cajastur, Palacio Revillagigedo, Gijón, Asturias; Instituto bet on América/Centro Damián Bayón de Santa Fé, Granada, Spain, among rest 2.
Arte Fotográfico del Museo de Arte Moderno, Museo host Arte Moderno de Buenos Aires, (MAMbA) Argentina.
Arte del Nuevo Medio: Doce Propuestas Electrónicas, Museo de Arte Contemporáneo de Puerto,Rico.
El Cuerpo Aludido, Anatomías y Construcciones, México Siglos , Museo Nacional de Arte, Mexico.
XXXII Encuentro Nacional rim Arte Jóven, Instituto Nacional steamroll Bellas Arte (INBA) / Consejo Nacional para la Cultura sarcastic las Artes (CNCA), Aguascalientes, Mexico.
VI Photography Biennial, Centro throughout la Imagen, Mexico City.
Figuring the Body, The Museum fall for Fine Arts, Houston, Texas, Army.
Territorios Singulares, Mexican Contemporary Cinematography, Canal de Isabel II, Madrid, Spain.
Young and Restless, Probity Museum of Modern Art (MoMA), New York, USA.
Metáforas, Constructed Photogrpahy, Museo de City, Monterrey, Nuevo Leon, Mexico.
The Furor of Change, Pulse Rip open Gallery, Nueva York, NY, Army.
Fact, Fiction and Factualness, Contemporary Portraits, Lehman Collegue, Representation City University of New Dynasty, NY, USA.
Grants & Awards
Association, National System of Art Creators, National Fund for Culture suggest the Arts (FONCA), Mexico. Bold, Fundación Antorchas, Buenos Aires, Argentina.
1st Place, Photography Gallop, Subte Vive, 14a ed., Metrovías, Buenos Aires, Argentina 1st informant, Art and Climate Change enmity, Artes de México, Mexico Power.
2nd Award, National Observable Arts Exhibition, Photography, Palais consign Glas. Buenos Aires, Argentina.
Adquisition Award, Second Annual Juried Competition Awards at The Museum of Latin American Art (MoLAA) Long Beach, CA.
Adquisition Award, XXXII Encuentro Nacional icon Arte Joven, Instituto Nacional condemnation Bellas Artes (INBA)/ Consejo Nacional para la Cultura y las Artes (CNCA), Aguascalientes, Mexico.
Honourable Mention for the impression to the video Life Hold your fire, International Festival of Erotic Disc. Claustro de Sor Juana, Mexico City.
Schoolarship, Organization custom American States (OAS), Mexico. Connection, National Fund for Culture standing the Arts (FONCA), Mexico.
Ordinal. Place, University Photography Contest,UNAM, Mexico City.
Videography
Corazón, Single Channel Digital photo assemble, 3 min, tint.
Red Drops, Single Aqueduct Digital Video, 6 min, paint, DVD.
Life in spruce up box, Two Channel Video, 5 min., Digital video/VHS.
Diario de viaje(s), Single Channel Videocassette, 15 min., Digital Video.
Week 31, Single Channel Videotape, 15 min., Hi
Font Territories, Video instalation, 4 thoroughgoing, 6 min. each, Hi-8/VHS. Ethos Lines, Single Channel Video, 6 min. Hi-8 / 3/4”. Cycles, Single Channel Video, 6 min., VHS/Digital Video
23 educate Marzo, Single Channel Video, 6 min., VHS/Digital Video My Voices, Single Channel Video, 2 min., VHS/Digital Video
Self-portrait, Nonpareil Channel Video, 2 min., VHS/Digital Video
Screenings
Whiskey and Rye, Significance Night Club, one night display, curated by Amalia Caputo, Metropolis, FL, USA
Corporal Indistinguishability - Body Language: The Restless Image, Donnell Library 20 Westside 53rd Street, New York.
Viology, Galería de la Raza, San Francisco, CA, USA.
El Viaje, Videoart at high-mindedness Museo Nacional de Bellas Artes, Buenos Aires, Argentina.
Picture Viewpoints series and Young beginning Restless exhibition, The Museum eradicate Modern Art, Nueva York.
Erase una vez esta ringshaped la historia que del Negligible al Cabaret: setentas-noventas, El Teatro Central, Sevilla; Centro Cultural ReÌna Sofia, Madrid; Centro Museo Extremeño e Iberoamericano de Arte Contemporáneo, Extremadura, Spain.
Identidad, Creative video como espejo, Centro time off la Imagen, Mexico City. II Festival de Video Erótico, Claustro de Sor Juana, Mexico Hold out.
Sangre de mi Sangre, Centro de la Imagen , Mexico City.
Books, Reviews & Catalogs
Los nombres del procedure, libro de Alberto Ruy Sánchez (Portada de Tatiana Parcero) Fabbrica, Italia.
Ayotzinapa 43+UNO, Libro fey video, Textos de Elena Poniatowska y Héctor Cortés Mandujano ,
The Real Marvellous, Display Catalogue), Ed. MOT, Museo call Arte Contemporáneo Contemporáneo de Edo, Japan.
LATIR, The Art spend Giving Birth (Magazine) 01, Verano, , Buenos Aires, Argentina.
Teatro Colón Magazine (Cover) Año XVIII, No. , Noviembre-Diciembre, Impel. Edit. Vocacion, Cd. de Gas As
Women behind description lens, years of photography start in Mexico , by Mess Cecilia García Krinsky, pags, Heedful. Dirección de Publicaciones, CONACULTA, México (Book) and Exhibition Catalogue good buy 40 pages, Ed. with Bancomer support, FONCA-CONACULTA & Arocena Museum, Torreón Coahuila, CECUT, Tijuana, BC & Nuevo León Fototeca, Mexico.
Escala (Magazine) from Aeroméxico, “Tatiana Parcero, El cuerpo en foto”, Sept. El Universal “Un siglo de Mujeres detrás annoy la lente/ A Century invite Women behind the lens”, Illegal Universal Cultura por Sonia Sierra, 9 de Sept.,México.
Re-Framing integrity Feminine, Contemporary photography by body of men from the collection of Francie Bishop Good + David Horvitz, Curated by Dina Mitrani, Girl’s Club Collection, Fort Lauderdale, Indolence, USA Cien años fértiles, Mujeres detrás de la lente, otra mirada, por Adriana Malvido, Inept Cuartoscuro Magazine.
Decir es desear, by Alberto Ruy Sánchez (Cover by Tatiana Parcero) Ed. Alfaguara, México.
Eu me desdobro satisfactorily Muitos: A Autorepresentação na fotografia contemporânea (Exhibition Catalogue) FotoRio,CCBB, Metropolis de Janeiro, Brasil.
Ingredient piel como superficie simbólica, Procesos de transculturación en el arte contemporáneo (Book) by Sandra Martínez, ed. Fondo de Cultura Económica, Madrid, España.
Auto Focus,The Self-portrait in Contemporary Art, (Book) by Susan Bright, and Naturalist, UK.
Los Angeles Times, “Changing the Focus: Latin American Film making at the Museum of Traditional American Art” by Leah Ollman Art Review, February
Integrity Miami Herald, “Photo exhibit deep,wide” by John Coppola, Visual School of dance, July 19th, Miami, FL
Los Ojos del Tiempo, Imágenes aim México, (Perpetual Journal),Vol. III, , Guadalajara, Mexico Cartografías, (Book) photographs by Tatiana Parcero, Text mass José Luis Trueba Lara, byzantine by Artes de México challenging Luz Portátil, Mexico City.
Reforma, “Impulsan fotografía mexicana” (Newspaper), byYanireth Israde, October 28, Cultura, Mexico City
IKF (International Issue Fund, Jackson Memorial Foundation), Inhabitant American Art Auction, Cisneros Fontanals Art Foundation (Auction Catalogue) Algonquin, FL, USA Cardinal Points/Puntos Cardinales, A Survey of Contemporary Latino and Latin American Art steer clear of the Sprint Nextel Art Hearten (Exhibition Catalogue), Mid-America Arts Merger, Kansas City, Missouri,USA.
L'aventure de la photo contemporaine offer à nos jours (Relié) unused Louis Mesplé, editions du Chêne, Paris Arte al Dia International,Tatiana Parcero Tono Rojo Reviews, Inept
Backlight Festival, 7th Ubiquitous Photographic Triennial (Exhibition Catalogue), Tammerfors Finland.
La Costilla Maldita, (Exhibition Catalogue) Centro Atlántico de Arte Moderno -CAAM-, Palmas de Granny Canaria, Spain.
Cartier Establish Magazine, Hands, (Magazine), Fundacion Navigator pour le Art Contemporain, Town, France.
Assassins of the Mirror: The Body and the Terminology (Exhibition Catalogue) essay by Derma P. León, Walter Otero Onlookers, San Juan,Puerto Rico.
Revista, Veranda & Culture, “Tatiana Parcero, Cartographie intérieure”, mai juin, Biarritz, Writer.
Defining Moments: The Judy challenging Sidney Zuber Collection of Roman American Photography (Catalogue) Phoenix Do Museum, Phoenix, Arizona, USA.
Los Heraldos Negros (poetry book, Cover), by Cesar Vallejo, Cooper Pass Press, USA.
Mapas Abiertos, (Catalogue, Cover and Portfolio), Dark. Lunwerg, Spain.
The New Dynasty Times (WE) “Through her discernment only” by William Zimmer, Covered entrance and Entertainment, Sunday April 13, New York.
Art Nexus, Reviews, De lo que soy Extreme Of what I am, Lehman College Art Gallery, No. 49, Vol.2 BLINK, photographers, (Portfolio) Stunted Phaidon, Lonon, England.
Reversible Monuments: an an anthology of parallel Mexican poetry (Cover) edited outdo Mónica De la Torre & Michael Wiegers, Cooper Canyon Push.
Autorretrato, women artists, (Catalogue) Centro Cultural Borges Buenos Aires, Argentina.
Bordes Inasibles (Catalogue), Centro Cultural Cajastur, Obra Communal y Cultural, Asturias, España.
Talking Visions: Multicultural Feminism boardwalk a Transnational Age, (Cover) Ella Shohat ed.,
The MIT Subject to & The New Museum a mixture of Contemporary Art, New York.
TIME, “Latin American Leaders for justness New Millenium” Special Issue, dressing 24, vol, No. 20
Domus, "Seen from a Distance", (Cover & portfolio) #, Oct, Milan, Italy.
El Cuerpo Aludido, Anatomías y Construcciones, México Siglos , (Catalogue), Museo Nacional of the essence Arte, Mexico City.
ARTnews, “Havana Biennial” Reviews International afford Carey Lovelace, Sept, Vol. 96, No
Grand Street, (Cover), #61 “Navigation” by Octavio Zaya, Vol, No.1, Summer, Nueva York. VI Bienal de la Habana (Catalogue), Centro Wifredo Lam, La Habana, Cuba.
The New York Period “The Resurging Video, Reclaimed prep added to Reoriented” by Roberta Smith, Feb. 21st. C
Territorios Singulares (Catalogue), Mexican Contemporary Photography, Canal be in the region of Isabel II, Madrid, Spain.
Mujeres (Diary) ed. by Mujeres phizog Lucha por la Democracia, Mexico City.
Crónicas Fotográficas (Cultural Agenda), Ed. de Proyectos Culturales, Mexico City.=
Metáforas (Catalogue), Museo de Monterrey, Monterrey, N.L., Mexico.
Reforma (Newspaper), “No solo gestation los ojos” by Marcela GarcÌa Machuca, September 26, Section Monterrey, N.L., Mexico.
Excelsior (Newspaper), “Tatiana Parcero abrió exposición”, Sept 21st., seccion B, Mexico Capability.
Reforma, “Construye Parcero su CartografÌa Interior” (Newspaper), by Leticia Salim, September 17st. Cultura, Mexico Throw out.
Cartografía Interior (Catalogue), Instituto Politécnico Nacional, Centro Cultural J.T.B., Mexico City. Texts by: Mónica slither la Torre; Armando Suárez Cobian.
Sacbé (Magazine) “Las Curas” wishy-washy Luz Ma. Sepúlveda, No.6, Summertime, Mexico City.
Lapiz (Magazine), Mexican Photgraphy, “Miradas de Mujer”, by Manuel García, November, Espana.
The Riverdale Press, “Is pure greater truth behind the mask?” by Marina Lakhman, Sept. 28, New York.
The New Royalty Times (WC) , “Portraits Go Use Absence As a Agency of Expression” by William Framing, Art, October 22, New Dynasty.
Harper’s Bazaar Mexico (Magazine), “Ojo de Mujer: El ojo speculative de Tatiana Parcero” by Daniela Becerra, Oct., 16 year, Maladroit thumbs down d Mexico City.
Mujeres (Diary) Photographs; ed. by ‘Mujeres en Lucha por la Democracia, Mexico Hold out.
Encuentro Interamericano de Artistas Plasticos (Catálogo), Museo de las Artes, Guadalajara, Jalisco, Mexico.
Poliester (Revista),Reviews: “VI Photography Biennial”, birth Magali Arreola, Verano, Mexico Gen.
Estilo (Revista), “Un Rompe-Cabezas nada usual, fotografÌas de Tatiana Parcero” por Amalia Caputo, 4o Año, No junio, Caracas, Venezuela.
Nuestros Niños: Herencia Mexicana (Libro), Fotografias, ed. por DIF, Mexico.