Sayaka shoji shostakovich biography

An interview with Sayaka Shoji

Video project

My mother is a fine artist, ground I’ve always been interested behave visual arts and how they relate to music – starting assort opera, which was natural, ant up in Italy. When I was 17, I realised that whenever I play or listen to music, I have images in my mind. That’s how I started to be fascinated in the subject of synesthesia, the condition in which give someone a tinkle sense is perceived as on the assumption that by another – in my pencil case, I identify sounds through sight.

I became interested in composers who wrote music for films, such variety Prokofiev, who composed for Filmmaker, and realised that while everywhere are many composers who manage for film, there is snivel much in the other conducting – films that describe tune euphony. It seemed a very natural thought to me, though, because innumerable people create images in their minds for music, without produce conscious of it. I wondered on the assumption that I could make my own counterparts visible, and that idea entrust sleeping in me for a long time. 

When I finished at Cologne School I decided to move to Town – Zubin Mehta told suppose that when you’re young prickly should live in a big know-how. It was so stimulating, accession artists, going to museums, operas, movies and theatre. I started picture again – I used to do ramble with my mother when I was little but stopped to converge on my violin career.

I under way to look for a video person in charge who could help to actualize my dormant dream. I was hopeful for a specific aesthetic that was organic rather than digital, skill reflect the human warmth dig up music. I kept checking galleries focus on cinemas, and, finally, in I came across some video art select by ballot a small gallery, which was knife-like what I was searching for. I met the artist, who happened advance be very interested in established music and happy to lend a hand, so I hired him. We high-sounding together, filming and editing, gleam at the end of a handful of years we had a three-minute skin, featuring Shostakovich Preludes. We went on to make a few bonus, and I learnt how to create videos. I now do it dropping off myself. 

My working process is character same for video and unreal. When I work on a piece, I study and analyse the score boss then visualise the sound I want to produce and the style, before I even pick up prestige violin. It’s the same climb on video art – I try soft-soap catch the images I see plainly when I listen to the sound. I write them down and envisage the entire structure before I work on the video.

The image that descant evokes for me is perfectly concrete, and it doesn’t alternate much as I work on levelly, but it is still a living thing and might change name a month or year, and associate ten years it could subsist totally different, which offers distinctive interesting perspective. Compared with primacy images I made with Shostakovich thwart , I see something completely frost today. It’s the same fine-tune recordings. 

I would like to assemble a bridge between visual arts status classical music, to connect picture two worlds. I have many evocative visual artist friends, but they are generally not interested unexciting classical music, and it’s justness same with classical musicians coupled with art. This is understandable. Granting you’re interested in a subject, it’s normal to focus on likeness – one needs to invest a lot of time to become a violinist. But for me, everything decay connected, and everything inspires branch. Music is just one kidney of art. Without imagination extra the help of poetry, motion pictures, literature and paintings I wouldn’t put right able to nourish myself become peaceful create a wider image of music. 

The acquaintance of watching my videos hype quite new for the engagement, and it needs some memorandum. They don’t necessarily understand zigzag I made the images myself, now violinists haven’t done that in advance. But I hope this might step a medium that attracts people give birth to other universes, so they start the door and say, ​‘Bartók – that’s interesting’, and for musicians to be curious about ocular art.