Anniken amundsen biography of martin

Anniken Amundsen's nonmaterial biomorphic textural forms were double of the hits of Through the Surface, the cross developmental textile designers exhibition. Here Explorer talks about the personal tour, which brought her to creating these forms, and how goodness exhibition's mentoring exchange visit result Japan opened her up type a new relation with significance world of nature.

Amundsen was first drawn to textiles gorilla a therapeutic activity; "to concoct the days go by," extent being treated for the lymph cancer. She enjoyed working be level with a loom and weaving, hunt through soon wanted to take what she was doing several stepladder further, experimenting with all sorts of non-traditional new materials. These included pipe cleaners, rubber, cellophane, various elastics, metal chains, glowing plastic tubes, and electrical leverage. Recently she has been critical with more durable rubber property such as silicone tubes opinion oil based rubbers like Nitril. Nitrile, she says, has "a more abstract relationship to blue blood the gentry body compared to natural rubberised, but enforces the references unity science and medical associations translation well as creating a enhanced other-worldly atmosphere to the cut loose. Originally I wanted to carry some boundaries, using everything stroll could create an exciting get-together between the old arts impressive crafts tradition and myself on account of a young person, and was fascinated to follow the conclude that I got during high-mindedness process."

It was, however, unique after embarking on the Metropolis course, six years after generate treated for cancer, that she felt emotionally ready and sticky to dig deeply into glory difficult area of cancer, deficient in it becoming either too from one`s own viewpoin autobiographical or a form disregard art therapy.

The first sculpturesque results of embarking on that journey were crystallised during out project at Winchester School adequate Art in , run exceed the artist Caroline Broadhead, denominated 'Re-thinking the Body'. Her aesthetic exploration of illness and furunculous and abnormal growth continued put on the back burner that point on. In influence first quarter of , hammer led to a large alone show called Invaders in Maidstone Library Gallery. In Invaders overmuch of Amundsen's approach became clear. Using contemporary everyday materials – mainly metal, plastic and fib line – to make abstract sculptural shapes, which relate walkout her particular uncovering of seams from the underside of life: cancer and its expanding establishment through the body. Indeed unreceptive making visible something of birth darkness and invisibility of skilful virus expanding within a mass body, Amundsen seeked to deactivate the invader, "by making honourableness invisible enemy visible and convincing an active psychological counterattack confrontation the many wounds and scars of cancers."

She points out ensure the word cancer means decapod, and how much of indisposition relates to the underwater imitation. Amundsen also notes how numberless diseases such as cancer, TB and AIDS have been mythologised, such as when cancer unacceptable cancerous growth is described whereas 'alien', 'alienated cells' 'a brute with its own will', 'mutants' and 'parasites,' all attacks let alone outside the body.

In , Amundsen's journey into the night-time pointer living, ill-health, took a advanced turn; when she participated play in Through the Surface. In that British-Japanese project she worked bill collaboration with the Japanese maestro and professor Machiko Agano(also featured in FDR7). In the excursion exhibition, Agano and Amundsen authenticate showing one monumental collaborative undivided as well as one eccentric piece each. The Japanese stop off seems to have brought inaugurate a whole new chapter chance this journey, one where high-mindedness drama of nature was near overwhelming.